Plays (in chronological order):
Ae Went te Blaydon Races, 1962
Happy Days Are Here Again, 1964
Of Hope and Glory, 1965
Allergy, 1965
Bread and Butter, 1966
Who’s Pinkus? Where’s Chelm? 1966
Traverse Plays, 1966
The Ballachulish Beat: A Play with Songs, 1967
Fable, 1967
Mister David, 1967
What Can a Man Do? 1968
Lies about Vietnam/Truth about Sarajevo, 1969
Thank You Very Much, 1969
Brave, 1969
Making a Television Play, 1970
Bloch’s Play, 1971
Passion Play, 1971
The Cleverness of Us, 1971
The Grace Darling Show, 1971
Em’n Ben, 1971
Me, 1971
Ginger Golly and the Fable Men, 1972
The Black and White Minstrels, 1972
Happy Anniversary, 1972
You Are My Heart’s Delight, 1973
Gynt, 1973
Next Year in Tel Aviv, 1973
The 5p Opera, 1973
Oil and Water, 1973
Apples, 1973
Columba, 1973
Carol O.K., 1974
So Far, So Bad, 1974
The Spital Tongues Plays, 1974
Pilgrim, 1975
The Killingworth Play, 1975
Plumber’s Progress, 1975
And a Nightingale Sang, 1979
Bandits, 1979
Happy Lies, 1981
Good, 1981
Live Theatre, 1981
Readings about Taylor:
Gow, Gordon, review of “And a Nightingale Sang”, Plays and Players (August 1979)
Grant, Steve, review of “Bandits”, Plays and Players (October 1979)
Mortimer, Peter, “C P Taylor: An Appreciation of His Work and Life”, Drama (Autumn 1982)
Nightingale, Benedict, “Good Man”, New Statesman (8 June 1982)
Rich, Frank, “‘Good’ on Becoming a Nazi”, New York Theater Critics’ Reviews, 43(18 October 1982)
Simon, John, “All’s Well That Ends Good”, New York Magazine (25 October 1982)
Taylor, John Russell, Anger and After: A Guide to the New British Drama, London: Methuen, 1962; as The Angry Theatre: New British Drama, New York: Hill and Wang, 1962
Taylor, John Russell, The Second Wave: British Drama for the Seventies, London: Methuen, and New York: Hill and Wang, 1971
