AW – Secondary Sources

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Dornan, Reade W. Arnold Wesker: A Casebook. New York: Garland, 1998.
Hayman, Ronald. Arnold Wesker. 1973. London, Heinemann Educational, 1979
Leeming, Gloria and Simon Trussler.. The Plays of Arnold Wesker: An Assessment. London, Gollancz, 1971.
Leeming, Gloria. Wesker, the Playwright. London, Methuen, 1983.
Leeming, Gloria. Wesker On File. London, Methuen, 1985.
Ribalow, Harold Uriel. Arnold Wesker. New York, Twayne, 1966
Wilcher, Robert. Understanding Arnold Wesker. Columbia, S.C.: U. South Carolina Press, 1991.

, Glenda. “Articulacy and Awareness.” C.W.E. Bigsby (ed.), Contemporary English Dramatists, Stratfod-upon-Avon Studies 19, (London: Edward Arnold, 1981).
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Allen, Walter. Some Post-War British Writers. Denmark: Sveriges Radio, 1963
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Alter, Iskar. “‘Barbaric Laws, Barbaric Bonds’: Arnold Wesker’s The MerchantModern Drama 31 (1988). Pp. 536-47.
Amis, Kingsley. “Not Talking About Jerusalem,” The Spectator (London: August, 10, 1962), p.190
Andereth, Max. “Sartre and Wesker: Committed Playwrights,” Comment, V, (July-August 1964). Pp. 18-28.
Anderson, Michael. “Arnold Wesker: The Last Humanist?” New Theatre a Magazine 8, (Summer 1968). Pp. 10-27.
Balliett, Whitney. “Maybe,” The New Yorker (March 18, 1961), pp. 126-27
Beavan, Joh. “Missionary in the Theatre,” The New York Times Magazine (October 13, 1963), pp. 28, 73, 74, 76, 78.
Bigsby, C.W.E. “The Language of Crisis in British Theatre.” In ContemporaryEnglish Drama. (New York: Holmes & Meir, 1981).
Bigsby, Christopher. “In Conversation with Christopher Bigsby.” Literature Study Aids, British Council, (March 4, 1976).
Billington, Michael. “Wesker Bounces Back.” Guardian, (January 1977).
Billington, Michael. “When Did You Last See Your Arnold Wesker?” Guardian, (May 13, 1974).
Brien, Alan. Heater, London,” Theatre Arts (December, 1959), pp. 20, 22.
Browne, E. Martin. “Theatre Survey,” Drama Survey (London: October, 1962), p. 183.
Brustein, Robert. “Fragment from a Cultural Explosion,” The New Republic, (March 27 1961).
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Burrows, Jill. “Wesker’s Angels.” Times Education Supplement, (May 26, 1989).
Chapman, John. “‘Chips with Everything’ Strong, Penetrating, Crisp, Well Staged,” New York Daily News (October 2, 1963), p. 64
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Chapman, John. “Two Strong New Dramas: ‘Luther’ and ‘Chips With,’” Sunday News (October 20, 1963, Section Two, p. 1.
Charles, Gerda. “East and West,” The Jewish Quarterly (London: Winter, 1960-1961), pp. 5-7.
Charles, Gerda. “Elizabethan Age of Modern Jewish Literature,” World Jewry (London: September, 1961), pp. 15-17
Clare, Anthony. “Arnold Wesker.” In the Psychiatrist’s Chair (London: Hogarth Press, 1984). Pp. 47-61.
Clurman, Harold. “Theatre,” The Nation, (October 26, 1963). pp. 267-68.
Cohen, Mark. “Impersonal Hero,” The Jewish Quarterly (London: Autumn, 1962),pp. 48-49.
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Coleman, Robert. “’Chips’ Is Amusing, Moving,” New York Mirror (October 2, 1963), p. 31.
Coppieters, Frank. “Arnold Wesker’s Centre Fortytwo: A Cultural Revolution Betrayed.” Theatre Quarterly, V, (1975). Pp. 18
D’Amico, Sandro. “Theatre,” The London Magazine (October, 1963), pp. 72.-76.
Dennis, Nigel. “What Though the Field Be Lost?” Encounter (London: August, 1962), pp. 43-45.
Dexter, John. “Chips and Devotion,” Plays and Players (London: December, 1962), p. 32.
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Drabble, Margaret, article, New Review (February 1975)
Drabble, Margaret. “Profile 10: Arnold Wesker.” New Review 11 (1975). Pp. 25-30.
Evans, T. F. “Arnold Wesker.” Dictionary of Literary Biography. Vol. 12, part 2. British Dramatists since World War II. Pp. 539-58.
Findlater, Richard. “Plays and Politics,” The Twentieth Century (London: September, 1960) pp.235-41.
Fletcher, John. “Arnold Wesker, John Arden and Arthur Adamov,” Caliban, III, 2, (1967). Pp. 153-6
Fraser, G.S. The Modern Writer and His World. Baltimore: Penguin Books, 1964.
Garforth, John. “Arnold Wesker’s Mission.” The Encore Reader, op. cit.
Gascoigne, Bamber. “Goodbye, Mr. Chips,” The Spectator (London: May 11, 1962), p. 621
Gascoigne, Bamber. Twentieth Century Drama. London: Hutchinson and Co., 1962.
Gellert, Roger. “Chips and After,” New Statesman (London: May 11, 1962), p. 685.
Gindin, James. Postwar British Fiction. University of California Press, 1962.
Goodman, Henry. “The New Dramatists, 2: Arnold Wesker,” Drama Survey, I, (1961). Pp. 215-22.
Gordon, Giles. “Arnold Wesker.” Transatlatnic Review 21, (Summer 1966). Pp. 15-25.
Griffiths, Malcolm. “Playwriting for the Seventies: Old Tehatres, New Audiencse, and the Politics of Revolution.” Theatre Quarterly 24, (Winter 1976-77). Pp. 35-78.
Hartley, Anthony. A State of England. New York: Harcourt, Brace and World, Inc. 1963.
Hatch, Robert, “Arise, ye Playgoers of the World,” Horizon, (July 1961).
Hatch, Robert. “Arise, Ye Playgoers of the World,” Horizon (July, 1961), pp. 116-18.
Hatch, Robert. “Theatre,” The Nation (March 25, 1961), p. 272
Hewes, Henry. “Keep the Home Fires Frying,” Saturday Review (October 19, 1963), p.30.
Hoggart, Simon. “Writers on Writing.” TVS, (March 7, 1986).
Itzin, Catherine. “A Sense of Dread and Isolation.” Tribune, (October 13, 1978). P. 9.
Itzin, Catherine. “Arnold Wesker.” Stages in the Revolution, (London: Eyre Methuen, 1980).
Itzin, Catherine; Leeming, Glenda; Trussler, Simon. “A Sense of What Should Follow.” Theatre Quarterly 28, (1977-78). Pp. 5-24. Reprinted Trussler, Simon. New Theatre Voices of the 1970s. (London: Eyre Methuen, 1981).
Jones, A. R. “The Theatre of Arnold Wesker,” The Critical Quarterly (London: Winter, 1960).
Jones, A.R. “The Theatre of Arnold Wesker,” The Critical Quarterly, (Winter 1960).
Kerr, Walter, “Chips with Everything,” New York Herald Tribune (October 2, 1963), p. 18.
Kerr, Walter. “Magic Over Matter,” New York, The Sunday Herald Tribune Magazine (October 27, 1963), p. 25.
Kershaw, John. “Roots: Arnold Wesker, the Determined Missionary,” in The Present Stage, (London: Fontana Books 1966). Pp.43-53
Kitchen, Laurence. “Drama with a Message: Arnold Wesker,” Experimental Drama, ed. William A. Armstrong, (London: Bell, 1963). Pp. 169-85.
Kitchen, Laurence. “Theatre in the Raw,” Mid-Century Drama. (London: Faber, 1962. Pp. 98-114.
Kitchin, Laurence. “Drama with a Message: Arnold Wesker.” William A Armondstrong ed. (London: Bell), 1963.
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Kops, Bernard. “The Young Writer and the Theatre,” The Jewish Quarterly (London: Summer, 1961), pp. 19-22.
Kops, Bernard. The World Is a Wedding. New York: Coward-McCann, Inc., 1963.
Latham , Jacqueline. “Roots: a Reassessment,” Modern Drama, VIII, (1965). Pp. 192-7.
Lee, Jennie. “Wesker’s Centre 42,” Encounter (London, August, 1962, pp. 95-96.
Leech, Clifford, “Two Romantics: Arnold Wesker and Harold pinter,” in Contemporary Theatre, New York: St. Martins Press, 1962.
Leech, Clifford. “Two Romantics: Arnold Wesker and Harold Pinter,” in Contemporary Theatre, (Stratford-Upon-Avon Studies 4, general editors John Russell Brown and Bernard Harris). New York: St. Martin’s Press, 1962.
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Lewis, Nigel. “The continuing Struggle…” Guardian, (June 18, 1974).
Mander, John. The Writer and Commitment. Philadelphia: Dufour Editions, 1962.
Marland , Michael, ed., Arnold Wesker, (London: Times Education Services, 1970)
Marowitz, Charles. “Oh mother, Is It Worth It?”, Theatre Arts (May, 1962), pp. 21-22, 72-73.
Marowitz, Charles; Milne, Tom;, Hale, Owen. New Theatre Voices of the Fifties and Sixties: Selections from Encore Magazine, 1956-1963. (London: Eyre Methuen, 1965).
Marriott, R. B. “Chips With Everything Is Wesker’s Best…” The Stage and Televison Today (London: May 3), p. 13.
McClain, John. “Lively Play About RAFT,” New York Journal-American (October 2, 1963), p. 27.
McGrath, John. “Friends and Enemies.” Black Dwarf, (June 12, 1970). P. 15.
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Nightengale, Benedict. “Wesker among the Lilliputians.” New Statesman, (October 23, 1981). Pp. 25-26.
O’Connor, Garry, “Production Casebook 2: Arnold Wesker’s The Friends”, Theatre Quarterly (April 1971)
O’Connor, Garry. “Production Casebook No. 2: Arnold Wesker’s The Friends.” Theatre Quarterly, I (1971). Pp. 2
O’Connor, Garry. “Wesker: A Voice Crying in the Wilderness.” Sunday Times Colour Supplement. (May 10, 1970).
Page, Malcalm. “Whatever Happened to Arnold Wesker? His Recent Plays,” Modern Drama, XI, (1968). Pp. 317-25.
Panter-Downes, Mollie. “Letter from London,” The New Yorker (May 12, 1926), pp. 160, 163.
Pomerance, Jill. “Question and Answer,” New Theatre Magazine (Bristol: April, 1960), pp. 5-8.
Popkin, Henry. “Class War With Everything,” The New Leader (October 28, 1963), pp. 31, 32.
Popkin, Henry. “Jewish Writers in England,” Commentary (February, 1961), pp. 135-41.
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Ribalow, Harold U. “The Plays of Arnold Wesker,” Chicago Jewish Forum (Winter, 1962-63), pp. 127-31.
Rosselli, John. “The Wesker Twist,” The Reporter (September 13, 1962), pp. 48-51.
Rothberg, Abraham. “East End, West End: Arnold Wesker,” Southwest Review, LII< (1967). Pp. 368-78.
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Sigal, Clancy. “Chips with Everything,” Queen (London: May 15, 1962, p. 10.
Skloot, Robert. “On Playwriting: Interview with Arnold Wesker.” Performing Arts Journal 2, (Winter 1978). Pp. 38-47.
Smith, Michael. “Wesker’s ‘Chips,’” The Village Voice (October 10, 1963), pp. 15, 18-19.
Spencer, Charles S. “The New Generation of Anglo-Jewish Playwrights,” in Jewish Book Annual Volume 22. New York: Jewish Book Council of America, 1964.
Spencer, Charles. “Arnold Wesker as a Playwright,” The Jewish Quarterly (London: Winter, 1959-1960), pp. 40-41.
Spender, Stephen. “A Literary Letter from London,” The New York Times Book Review (November 20, 1960), pp. 74-75.
Stoll, Karl-Heinz. “Interviews with Edward Bond and Arnold Wesker.” Twentieth-Century Literature: A Scholarly and Critical Journal 22, (December 1976). Pp. 411-32.
Stoll, Karl-Heinz. “The System and the Writer.” New Theatre Magazine 9, (February 1971). Pp. 8-11.
Taubman, Howard. “Life with R.A.F. Trainees,” New York Times (October 2, 1963), p. 49.
Taylor, John Russell. “Arnold Wesker,” The Times (London: December 12, 1963)
Taylor, John Russell. “British Theatre,” On Contemporary Literature, edited by Richard Kostelanetz. New York: Avon Books, 1964.
Taylor, John Russell. “Mr. Wesker’s ‘Menace,’” The Listener (London: December 12, 1963), p. 1001.
Taylor, John Russell. “Productions Out of Town: Arnold Wesker,” Anger and After, (London: Methuen 1969). Pp.147-70.
Taylor, John Russell. The Angry Theatre. New British Drama. New York: Hill and Wang, 1962.
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Trussler, Simon. “His Very Own and Golden City: An Interview with Arnold Wesker.” Tulane Drama Review 11, (1966). Pp. 192-201. Later published as “Arnold Wesker.” Theatre at Work: Playwrights and Productions in Modern British Theatre. (New York: Hill & Wang, 1967(. Pp. 78-95.
Tynan, Kenneth. “The Chip and the Shoulder,” The Observer (London: May 6, 1962).
Tynan, Kenneth. A View of the English Stage. (London: Davis-Pynter, 1975).
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Wershba, Joseph. “A Cultural Rebel,” New York Post (Octobe 28, 1963).
Williams, Raymond. “Recent Engilsh Drama, in The Modern Age 7. The Pelican Guide to English Literature, edited by Boris Ford. Baltimore: Pelican Books, 1963.
Wilson, Sheila. The Theatre of the ‘Fifties. Foreword by Arnold Wesker. The Library Association. 1963.
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Woodrofe, K.S. “Mr Wesker’s Kitchen,” Hibbert Journal, LXII, (1964). Pp. 148-51.
Zimmermann, Heiner O. “Wesker and Utopia in the Sixties.” Modern Drama 29, (1986). Pp. 185-206.

Book Chapters:
Brown, John Russell, Theatre Language: A Study of Arden, Osborne, Pinter, and Wesker, London: Penguin, and New York: Taplinger, 1972
Brown, John Russell. “Arnold Wesker: Theatrical Demonstration.” Theatre Language: a Study of Arden, Osborne, Pinter, and Wesker. (London: Allen Lane, The Penguin Press, 1972).
Craig, Sandy, ed. Dreams and Deconstructions: Alternative Theatre in Britain. (Ambergate: Amber Lane Press, 1990).
Innes, Christopher. Modern British Drama, 1890-1990, (Cambridge: Cambridge University Press, 1992). Pp. 113-21.
Itzin, Catherine, Stages in the Revolution: Political Theatre in Britain since 1968, London: Eyre Methuen, 1980
Taylor, John Russell, The Angry Theatre, New York: Hill and Wang, 1962.
Wandor, Michelene. Look Back in Gender: Sexuality and the Family in Post-War British Drama, (London: Methuen, 1987). Pp. 19-28.
Wellwarth, “Arnold Wesker: Awake and Sing in Whitechapel,” The Theatre of Protest and Paradox, (New York: New York University Press, 1964). Pp. 234-43.
Wellwarth, George E. The Theatre of Protest and Paradox. New York: New York University Press, 1964.


The Roots of Writing: Bernard Kops, Emanuel Litvinoff, Harold Pinter & Arnold Wesker

Front Row: BBC Radio 4 Thu 24 May 2012
On the day Arnold Wesker celebrates his 80th birthday, young playwrights Ryan Craig and Amy Rosenthal discuss the influence of Wesker’s plays on their own work and whether he has changed the course of British theatre.

Front Row: BBC Radio 4 Wed. 8th June 2011
Review of Chicken Soup revival at National Theatre. Reviewed by Naomi Alderman and Mark Lawson.

Literary Norfolk


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