1.) Entry for Contemporary Authors Online. Extensive overview; offers further reading.
“C(ecil) P(hilip) Taylor.” Contemporary Authors Online. Detroit: Gale, 2003. Literature Resource Center. Web. 2 Apr. 2010.
By FRANK RICH. (1982, October 14). Theater: ‘Good,’ on Becoming a Nazi. New York Times (1923-Current file),C17. Retrieved April 2, 2010, from ProQuest Historical Newspapers The New York Times (1851 – 2006). (Document ID: 119484815).
3.) Review of Good in the New Republic. Available at Law Library.
Brustein R. ROBERT BRUSTEIN ON THEATER. New Republic [serial on the Internet]. (1982, Nov 15), [cited April 2, 2010]; 187(20): 23-25. Available from: Academic Search Complete.
4.) Review Spring ’90
Recent Drama Author(s): Robert L. King Source: The Massachusetts Review, Vol. 31, No. 1/2 (Spring, 1990), pp. 273-286 Published by: The Massachusetts Review, Inc. Stable URL: http://www.jstor.org/stable/25090178
5.) Reference to Good, March ’87
Contemporary Drama, Fascism, and the Holocaust Author(s): Vivian M. Patraka Source: Theatre Journal, Vol. 39, No. 1, Theatrical Perception: Decay of the Aura (Mar., 1987), pp. 65-77 Published by: The Johns Hopkins University Press Stable URL: http://www.jstor.org/stable/3207621
6.) Review of Good, 1983
Author(s): Alisa Solomon Reviewed work(s): Good by C. P. Taylor; Howard Davies Master Harold … and the Boys by Athol Fugard; Black Angel by Michael Cristofer; Gordon Davidson Edmond by David Mamet; Gregory Mosher Extremities by William Mastrosimone; Robert Allan Ackerman Source: Performing Arts Journal, Vol. 7, No. 1 (1983), pp. 78-83 Published by: Performing Arts Journal, Inc. Stable URL: http://www.jstor.org/stable/3245298
7.) Review of Good, July 2007
8.) Reflection on Taylor in the Guardian, 2004.
No frills, Alan Pater, The Guardian. 6 November 2004
9.) Brief bio on Dramatic Publishing website
10.) Review of film adaptation of Good in the NY Daily News; December 31st, 2008